S04E03 - aired 2002-09-29

Christopher

Season 4 episode guide - plot, credits, music, and analysis.

Plot

The season opener for the fourth installment of The Sopranos arrives with a chilling shift in perspective, moving away from Tony's internal monologues to the chaotic world of Christopher Moltisanti. We are introduced immediately to the aftermath of a violent confrontation where Christopher has just killed a rival mobster named Vito Spatafore. It is a bold move, executed without hesitation, but it quickly spirals out of control. The episode opens with the grim reality that Christopher has now crossed a line that cannot be uncrossed; he has murdered a man who was essentially acting on behalf of his own family, setting off a chain reaction of retaliation that will dominate the narrative arc for weeks to come. The bulk of the episode follows Christopher as he attempts to navigate the fallout of this execution-style hit. He is driven by a mix of adrenaline and a desperate need to prove his loyalty to Tony, whom he views as the father figure who keeps him grounded. However, the reality of the situation is far more complex than Christopher realizes. His actions have attracted the attention of the very people he sought to impress, and the mob landscape has shifted in ways that threaten his own safety. Throughout the episode, we see Christopher trying to distance himself from the immediate violence while simultaneously feeling the weight of what he has done. He knows he cannot simply walk away, but the path forward is obscured by fear and confusion. The narrative tension builds as various factions within the criminal underworld begin to calculate their next moves, with Christopher at the center of a web that he did not weave. The episode also delves into the personal dynamics within the Moltisanti household, showing Christopher struggling to reconcile his newfound status as a killer with his desire for a normal life. He is haunted by the memory of the man he killed and the knowledge that this act has set off a domino effect that could end up destroying everything he holds dear. The stakes are raised significantly as we see the potential consequences of Christopher's actions playing out in real-time, forcing him to confront the reality that he is now fully entrenched in the life of violence he once admired from afar.

Credits

Written by Terence Winter and directed by Tim Van Patten, this episode serves as a pivotal turning point for the character of Christopher Moltisanti. The cast delivers strong performances, particularly James Gandolfini in his brief but impactful scenes with his son, and Michael Imperioli as Silvio Dante, who offers a grounded perspective on Christopher's erratic behavior. The supporting cast, including Robert Iler as A.J. and Matthew Lillard as Paulie Walnuts, contribute to the escalating tension surrounding the fallout of Christopher's actions.

Music

"Bye Bye Blues" - Joe Cocker "The Ballad of John and Yoko" - The Beatles "Blackbird" - The Beatles "Blue Suede Shoes" - Carl Perkins "Chanteyman" - The Bangles "Come Back, Baby" - The Band "Crazy Train" - Ozzy Osbourne "Don't You Worry 'Bout a Thing" - Earth, Wind & Fire "Fearless (Remix)" - De La Soul "Get Over You" - The Cure "Happy" - Pharrell Williams "Heart of Glass" - Blondie "I Can See Clearly Now" - Johnny Nash "I'm Gonna Be (500 Miles)" - The Proclaimers "In the Summertime" - Mungo Jerry "Jailhouse Rock" - Elvis Presley "Kiss" - Prince "Lady of the Night" - Joan Jett "Let Me Be Your Angel" - A Tribe Called Quest "Love Is a Many Splendored Thing" - The Drifters "Mack the Knife" - Bobby Darin "My Way" - Frank Sinatra "New York, New York" - Frank Sinatra "Oh! Susanna" - Stephen Foster "Pink Panther Theme" - Henry Mancini "Raindrops Keep Fallin' on My Head" - B.J. Thomas "Rise Up (Shine)" - The Isley Brothers "Sail Away" - The Beatles "Sheila" - The Kinks "Singin' in the Rain" - Gene Kelly "Somewhere Over the Rainbow" - Judy Garland "Stand By Me" - Ben E. King "Sweet Child O' Mine" - Guns N' Roses "Tequila" - The Champs "The Girl from Ipanema" - Stan Getz & João Gilberto "There'll Be Other Times" - Johnny Cash "Theme from A Summer Place" - Percy Faith "To Sir, With Love" - Lulu "Tubular Bells" - Mike Oldfield "Under the Boardwalk" - The Drifters "Up on the Roof" - The Drifters "Walking in the Rain" - Johnny Cash "When a Man Loves a Woman" - Percy Sledge "Yellow Submarine" - The Beatles "You've Lost That Lovin' Feelin'" - The Righteous Brothers

Analysis

Christopher is always such a part of things, and his death hits harder than many expected. He was always there to comfort Tony in the worst moments, yet he remains one of the most tragic figures in the series. When we see him in this episode, we are already aware that something like this was coming, but watching it unfold is devastating. We all knew that Christopher and Jackie Jr. hadn't gone into business together, but seeing the consequences of their interaction is a stark reminder of the mob's brutal nature. It is too bad that Christopher and Jackie Jr. haven't gone into business together; we will have to wait and see what happens next. The episode sets up a narrative where Christopher is trying to get his shit together, but the momentum of the mob world pushes him toward a tragic end. The way the episode handles Christopher's arc is masterful. We see him trying to be the happy-go-lucky sidekick that we had when he and Tony ripped off the wine from the Vipers, but the reality of his situation is much darker. The fans on the forums in 2002 were right to be worried; the rumors posted before the season began were not entirely unfounded. Christopher's journey from a naive apprentice to a hardened killer is accelerated here, and the episode serves as a grim foreshadowing of his eventual fate. It is a powerful reminder of how quickly things can go wrong in the mob world, and how even the most loyal sons can be caught in the crossfire. The analysis of this episode also highlights the theme of family loyalty versus self-p